
Monday, November 3, 2008
"You Want To Be With A Winner."
"The reality is: I quickly realized Rudy was a maniac. I had a recurring fantasy in which I took him out during a press conference (it was nonlethal, just something that put him out of commission for a year or so), saving America from the horror of a President Giuliani. If that sounds like I had some trouble being 'objective,' I did. Objectivity is a fallacy. In campaign reporting more than any other kind of press coverage, reporters aren’t just covering a story, they’re a part of itinfluencing outcomes, setting expectations, framing candidates—and despite what they tell themselves, it’s impossible to both be a part of the action and report on it objectively. In some cases, you genuinely like the candidate you’re covering and you root for him, because over the long haul you come to see him as a human being. For a long time, this was John McCain’s ace in the hole with the press, whom he referred to as “my base.” Reporters rode along with him, and he joked with them, and that went a long way toward shaping the tone of their coverage. (Last January a group of reporters asked McCain’s staff to make McCain campaign press T-shirts for them.) And because your success is linked to the candidate’s, you want to be with a winner, because that’s the story that makes the paper or the magazine or gets you on TV."

"I thought it might be better jumping over to the Democrats; at least I wasn’t appalled by their basic ideas. But Hillary Clinton’s campaign was killing me. I could feel my soul die a little more with each cigarette break I took, each prepackaged meal I stuffed into my face. I couldn’t stop eating when I was with her, and there was always food available. On most days, we took three to five flights, and each flight, no matter how short, had a catered meal. The campaigns charge reporters for all travel (the cost runs from $1,000 to $3,000 per day, per reporter), and catering is included in that price. Then there is food served at each event—pizza, sandwiches, celery, carrots, broccoli, bowl upon bowl of ranch dip, baskets of candy and chips. In part I felt obligated to eat every fucking thing in front of me, since it costs enough. But there was also a feeling that you were in a Gulag on wheels. Everyone traveling with the campaigns is completely dependent on them for food and transportation and shelter—not to mention any little interview crumb they toss our way, any remotely intriguing piece of information. Political reporting is founded on very dysfunctional relationships. You need them and they need you, but on some level they hate and distrust you (and on some level you, too, hate and distrust them), and in my experience a lot of that gets sublimated into food. Eat, hoard, scrounge, because you never know if they’ll give you anything more."
Note To Self
Friday, October 31, 2008
Cindy! Cindy! Cindy!



Puppy Halloween!



So Fitting It's Depressing


Thursday, October 30, 2008
The Oscar SLASH Oval Office Hunt
Weird theory.
McCain wins? Batman Returns.
Obama wins? Wall-E.
THE DARK KNIGHT and JOHN MCCAIN'S CAMPAIGN:-Both leading men are heroes with loonnnng histories.
-Expectations were incredibly high, but the last minutes/days were a letdown and kinda ruined the enjoyment factor of the whole shebang.
-No one could get enough of the coverage, especially after the 11th hour tragedy of the key supporting character.
-The critics called them "dark, complex and unforgettable."
-In the end, we pretty much got what we expect of this stuff.
WALL-E and BARACK OBAMA'S CAMPAIGN:-Both appealed to the kids right away and then, surprisingly, wooed the grown-ups.
-The leading men seek out new sources of energy, adopt whatever technology they come across, and came onto the scene outta nowhere and with little experience.
-They were whipped into shape by outspoken, alpha-females.
-The stars remind us of super-duper iconic players in their worlds (Charlie Chaplin, JFK).
-The critics described them as "charming, audacious, and timely."
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